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TRANSMUTED (Dark Landing Book 1)
Drew Cutter, Chief of Security on a space station at the edge of the Known Universe—and struggling with his fear of space—unites with a reluctant Letty Taleen, heiress and CEO of Taleen Industries, to uncover an Alliance-wide conspiracy. Lurking at the other end of a wormhole is an alien race whose technology has outlived its biology.
Babylon 5 meets Firefly: Transmuted, book one of the Dark Landing series, is a space mystery/adventure, jam-packed with action, humor, and romance.
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After a brief false start (tired to do too much too soon) in 2016, Post-To-Print Publishers is off and running with its first official short story Submission Call for what will be an annual anthology. If you know a short story fiction writer, please send them our way at post-to-print.com.
As an author myself, I’ve made a vow that all contributing authors will be paid something—if only a token payment for the first selections ($25 per story). And that PTP will never charge submission or reading fees. Our ultimate goal is to pay $.02 per word for subsequent stories. Lofty, but doable, especially if the first anthology concept is brilliant. And it is. All stories will be written from a cat’s P.O.V.—to quote me:
“Being an Internet junkie, it didn’t take long to decide on the theme of Post-To-Print’s first anthology. Cats!
“I met a friend for lunch once (a few years back now), who was gifting her mother with a tablet. She asked about the best way for her mother to become familiar with the Internet. An eavesdropper in the booth behind me mumbled, ‘Get a cat.’ Truer words have not been spoken. From the moment the World Wide Web went mainstream, there has been a special relationship between the Internet and cats.”
Please help us spread the word (and you might want to ignore my Twitter feed on the right because it will reek of submission call ads for the next several weeks).
As always, I appreciate the follow.
If you’re like me, you don’t expend a lot of writing sweat over chapter titles. According to the stats, around 50% of authors simply number their chapters. Well, I’ve been schooled; chapter titles are a marketing bonanza. And free, and right there for the grabbing. Great chapter titles can give a prospective buyer that final kick in the butt she needs to click the “Buy Now” or “Add to Cart” button. It took me two years to figure this out—my curvature for learning arcs wide.
BABY TAGLINES – Think of each chapter title as a baby tagline . . . or a dangling worm in front of a big-mouth bass—whatev. A brilliant tagline and description will draw buyers to your sales page and entice them to read the book preview. After the publishing data, most previews display your table of contents. (The Luddite buyer must manually turn the page.) This is where a thoughtful chapter title strategy can close the sale. I’m going to lean on J.K. Rowling from here out.
SETTING THE TONE – Rowling’s chapter titles are wonderfully witty and whimsical and sometimes maniacally malevolent, but always magical (and often alliterate). Her chapter titles establish the tone for each book (in no particular book or chapter order): The Whomping Willow; Mudbloods and Murmurs; or, The Sorting Hat. This is gonna be a fun read!
FORESHADOWING – Something scary, dangerous, heart-wrenching is happening here: The Deathday Party; The Unknowable Room; The Dementor . . . ooooh, your prospective reader shivers with anticipation.
KEEPS THE READER READING – And when that buy button is pushed and the book delivered, those chapter titles keep on giving. How can a reader resist turning the page with prompts like The Boggart in the Wardrobe, Cat, Rat, and Dog (walked into a bar . . . sorry, I digress), or The Unknowable Room. Come on, could you put that book down?
ADDED BONUS – During the writing process, chapter titles can also double as mini outline trackers for the author. Let me see, where did I mention Hermione’s secret? Was it Chapter 19 . . . no, maybe Chapter 22 . . . damn, Chapter 23? Oh, there it is in the chapter titled Hermione’s Secret. Duh?
Just think about all the wonderful things you can cram into your chapter titles. But, you know, still keep ‘em short and on point—this isn’t a license to go crazy.
OMG, who put this here? Oh, well, I’ll just leave it.
2017 KindleScout winner: TRANSMUTED, book one of the Dark Landing series, available on Amazon. Book two, MASS PRIMARY, coming very soon (the chapter titles on book two will amaze you).
It’s been almost a year since I posted my first novel, TRANSMUTED, book one of the Dark Landing series, to Amazon KindleScout for consideration and it’s selection for publication. The following random thoughts are based on nothing more than my personal experience and opinion—unsubstantiated by anyone (see the title of this blog).
- My timing was perfect. I didn’t learn about KindleScout until TRANSMUTED was completed and professionally edited. That’s a good thing because I would have been tempted to post the manuscript before it was ready, and the book would never have been selected. (One job of a good editor is to slap your ego around until you’re whimpering like a baby).
- The process couldn’t be easier. I’m not a paranoid person (some might argue) and I didn’t have a lot of questions. I read the agreement and followed instructions. Kindle Press (KP) was—and still is—responsive at every step, though I’ve never talked with a human. Just remember, this is a one-way street, or it was for me. There’s no room for negotiation or discussion.
- I think I have some insight into the nomination process:
- KP editors can tell from the first few paragraphs if a manuscript is eligible. If there are typos, grammar and punctuation errors, clunky flow, or a general lack of writing style, story and number of nominations be damned. Fuhgeddaboutit!
- I’m also convinced that genre is a consideration. For example, if you write romance, and KP selected two romance manuscripts from the previous group, you may be screwed unless yours is knock-your-socks-off great. There’s little an author can do about that.
- I had only 445+ nominations for the entire month, and 72 hours trending at month end (which I don’t believe I earned). My guess at what tipped the scale once KP determined the writing/editing/story was good, was that the analytics showed my voters read the entire preview. If 500 of your friends and relatives open your page, click the nomination button, and leave without reading the preview, or only read the first couple paragraphs, their nominations carry little weight.
- The royalty advance ($1500) was welcomed. After I deducted my production costs from the advance, editing, cover art, ISBN purchase, etc., I was left with a profit of $43.00. I AM NOT COMPLAINING. I’m thrilled. (BTW: If you’re tempted to calculate your hourly wage, DON”T—there lies madness!) (ALSO: I’ve earned enough over and above my advance to cover the expenses for book two.)
- Promotion is critical, and my opinion about the job KP did/does in this area waivers. The first 90 days were good, I think. But I have nothing to compare it to since I’m a first-time author, and (for personal reasons) did not pursue a relationship with other KindleScout winners (though I was invited to), which might have provided more data. It’s possible I had exaggerated expectations re the level of promotion KP would provide. I mean, it’s AMAZON for Pete’s sake; expectations are high. After six months, sales dropped off (off like the deep end of the ocean), but I have myself to blame, as well. I’m not that great with social media, and I haven’t actively pursued a following. Three further, significant points:
- I have only one book out. From everything I’ve read, that will never cut it. When the second book is published (hopefully by the end of the year), sales should perk up. To my own detriment, or not, we’ll see, I’ve ignored marketing the first book to focus on finishing the second book.
- To date, I’ve received over sixty reviews on book one (all but 3 are 4-5 star) a significant plus.
- Other than the occasional email saying they’re running a $.99 limited promo, I don’t see KP’s promotional efforts. Since I’ve already “purchased” my book, in the robotic eyes of Amazon analytics, also read or emailed recommendations for my title for me are scrubbed. (Early on, a friend forwarded a copy of an email she received that recommended my book, but I think only because she’d previously accessed my sales page—still a good thing.
- The scary downside of signing with KP is what will happen if they don’t accept the second book in the series. After thinking about it for a year, I can’t recommend posting the first book of a series to KindleScout. If they don’t accept the second book, I’m screwed. I have no control over pricing/free offers of the first book to cross-promote book two, and I can’t advertise the first book on Amazon where I’d get the best results (I asked and they said no). If I could, I’d advertise book one on Amazon tied to a free pre-publication copy of book two in order to build my email list and get early reviews. And what happens if I want to create a box set later on? Also, my contract with KP prohibits me from offering book one on any other platform, which makes total sense, but offering book two on Apple, Barnes and Noble, Kobo, etc., without book one, makes no sense.
The fear of KP passing on the second book in the series overrides all the ego stroking, promotion, and sales results from KP’s selection of book one, and keeps me awake at night. Maybe I am paranoid, after all.
Again, the above represents my experience, my opinions, and my personal night-sweat-producing terror.
2017 KindleScout winner: TRANSMUTED, book one of the Dark Landing series, available on Amazon. Book two, MASS PRIMARY, coming
soon eventually soon.
I received two newsletters recently, each with an interesting idea that I thought was cool:
If you aren’t already subscribed, read and subscribe at https://www.goodreads.com/blog/
Excerpt from Goodreads Believes in Book Fairies – and You Can, Too “. . . . Goodreads was founded ten years ago with the mission of helping people find and share books they love. Through Goodreads, readers have added 1.9 billion books to their shelves, written 67 million reviews, and connected with more than 200,000 authors over a shared love of reading.
“On Monday, September 18, you can help even more readers find amazing books by participating in our Hide a Book Day. As part of our Ten-Year Anniversary Celebration, Goodreads is teaming up with our fellow book lovers at The Book Fairies to hide books around their neighborhoods for people to find, read, and leave for the next person.”
You need to act on this quickly because the associated stickers (read the full post) must be ordered from England. Sounds like fun, doesn’t it? “Hide a Book Day” may have been around for a while, but I’ve never heard of it before.
Highly recommend all authors subscribe to this excellent newsletter, but particularly #scifi #fantasy #paranormal #horror: http://www.torforgeblog.com/2015/01/05/sign-up-for-the-torforge-newsletter/
This is so simple it’s silly. At the end of their newsletter, they added a series of recent interesting-retweet-worthy images which link to the original tweets so the reader can like, comment, or retweet.
I’m going to experiment adding a twitter image to the bottom of my newsletters and blog posts, as well, to see if I get extra leverage from those tweets. Like I said: Simple, silly!
Your welcome! Thanks for following.
Yours, Mine and Ours:
Individual vs. Joint Possession
The dilemma: one apostrophe or two?
- I stopped by Brad and Kim’s house.
- I stopped by Brad’s and Kim’s house.
What about this construction?
- The shelves held Eric and Laura’s books.
- The shelves held Eric’s and Laura’s books.
In the first example, Brad and Kim share ownership of the same house, so the first sentence using just one apostrophe is correct: Brad and Kim’s house.
In the second example, Eric’s collection of books is different from Laura’s collection, so the second sentence using two apostrophes is correct: Eric’s and Laura’s books.
Here are other correct examples:
- Adam and Kari’s Irish Setters (two dogs, shared ownership)
- Adam’s and Kari’s golf clubs (two sets of clubs, individual ownership)
- Craig’s and Brooke’s motorcycles (two motorcycles, individual ownership)
- Craig and Brooke’s yard (one yard, shared ownership)
Ownership with pronouns
When you are using my, his or hers, follow these examples:
- The Realtor wanted to tour my and Brad’s house. (not me and Brad’s house)
- She also wanted to tour his and Kim’s house. (not he and Kim’s house)
- We decided to tour her and Brad’s house. (not she and Brad’s house)
Test the me/my, he/his, she/her dilemma by simply eliminating the second person.
- They wanted to tour me and Brad’s
They wanted to tour my house.
- They wanted to tour his and Kim’s
They wanted to tour his house.
- They wanted to tour she and Brad’s
They wanted to tour her house.
Other common errors to avoid:
- Let’s stop by him his and Kim’s house this afternoon.
- Please drop by mine my and Brad’s house this evening.
Killer Tip: We’re often more relaxed when speaking than when writing because we can read body language to be sure we’re being understood. Yet it’s always helpful to know what’s correct so we can decide how informal we want to be or what kind of an impression we want to make.
Writing and grammar expert Kathleen Watson, fondly known as The Ruthless Editor, has nearly three decades of experience in both corporate and academic worlds. She has taught business people how to fine-tune their communication style, college students how to strengthen their writing, and Ph.D. candidates how to polish their dissertations. Kathy also has experience as a fiction and nonfiction book copy editor, working with a mix of new and experienced authors.
In addition to writing her own book on grammar, she blogs at RuthlessEditor.com, sharing weekly tips on how to write to get the job you want, earn the promotion you’ve worked hard for, and artfully explain your best ideas.